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Posts made in November, 2011

  • When I was a kid there was no such thing as “Young Adult” fiction. You were expected to transition from Children’s books to Adult literature whenever and however you could. Because of this, I still can’t help thinking the category is the result of a marketing schtick. Don’t get me wrong. I love YA. I worked in the Teen Fiction section at BookPeople for six years while being paid almost nothing for a reason. The problem is, I feel that Children’s books are extremely important — too important for us to leave it to people who are only in it for the money. Children’s and Teen’s is where Readers are born. Real Readers — not people who might read one book a year because Oprah says so. When I worked at the bookstore I felt it was my mission to hook up kids with THAT book. You know the one. The one that you started reading one rainy afternoon and couldn’t put down at the dinner table in spite of your Mom yelling at you. The BOOK you hid under the covers and read with a flashlight for hours after lights out. The BOOK that swept you away from your problems and into the lives of characters with far greater problems that pumped your veins full of adventure and new knowledge and new worlds and magic and never let you go. All real Readers can name that book without hesitation. (Although, sometimes it’s more than one book.) Real Readers are a precious resource. Ask any Writer, Teacher, or Librarian. (Which is why I’ll quote John Waters now: “If you go home with somebody, and they don’t have books, don’t fuck ‘em!” ;) )

    I started reading Adult literature when my father read Something Wicked This Way Comes by Ray Bradbury aloud to me. I was twelve. To this day I don’t know why he did it. He’d never done so before. I find it funny that each of my parents read exactly one book aloud once I grew old enough for school. My mother read J.M. Barrie’s Peter Pan. Well, part of it. As fate would have it, she stopped at the point where Wendy is shot by the Lost Boys. (I knew where the story went from there. It didn’t matter. From that point forward, I had this idea that females absolutely were never allowed in Boyland — upon pain of death. In a way, I was right. Funny what things kids will pick up on.) I started with the Classics: Twain, Dickens, R.L. Stevenson, Wells, Bradbury and such and was reading Joan Aiken, Zilpha Keatley Snyder, and Kin Platt at the same time. (This, in spite of the fact that I was a slow reader. I had my nose buried in a book every waking moment.) Books saved my life. I was a very skinny, depressed kid who was bullied. I loved learning and hated school. I guess that’s why books mean so much to me to this day. Anyway, Young Adult books are important. They’re where kids learn to be human beings without having to bear the consequences of mistakes. They’re where kids learn to think for themselves. They aren’t easy books to write and should never be. I believe that’s part of what appeals to adults so much. It isn’t just about a reconnection to childhood. It’s the magic of learning the complex stuff that day jobs, economic recessions, crazy politics, crime, and traffic jams leech out of you in the mundane adult world. It’s remembering that everything isn’t what it seems, that you really can fly if you wish hard enough; that you can start over even if you’re beat down; that you can beat the evil overlord even if the odds seem impossible — if you’re smart about it, are persistent, and have good friends; that being honest does win out in the end; that the person next to you can be the one that saves you; that people are worth helping and loving; that sharing milk and cookies is fun; that science is exciting; that beauty and magic lives all around you even during the darkest times (especially then) — you just have to stop and look for it. That’s the stuff that we all should remember — and not just once a year in December.

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  • Courtney SchaferAs a kid, I never cared about age-related book categories. I only wanted to know one thing: is it SF/F? If yes, I read it. I haunted the children’s section and adult SF&F shelves with equal frequency. Honestly, that hasn’t changed now I’m adult. I’ve always felt that if a book is truly good, it’s ageless in appeal. I still read middle-grade and YA fiction just as eagerly as I do adult fiction.

    Sure, the novels might be shorter and/or use simpler language, but it doesn’t mean they can’t touch you just as deeply. It doesn’t even mean they’re not as complex. (I defy anyone to read a book like Alan Garner’s Red Shift and call it simple. I’m still not sure I caught all the layers of meaning, and I know the Tam Lin legend inside and out.) I’ve already talked over at SF Signal about some of the YA SF books that meant the world to me as a kid, and I still enjoy re-reading today; and goodness knows that all-too-short list is only the barest sampling of my favorites.

    Diana Wynne Jones wrote a fascinating essay talking about the hidden assumptions in writing for adults as opposed to writing for children, and how these assumptions can act to shackle the writer’s imagination when writing an adult novel. It reminded me of a quote from Madeleine L’Engle: “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” (more…)

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  • Adam Christopher was born in Auckland, New Zealand, and grew up watching Pertwee-era Doctor Who and listening to The Beatles, which isn’t a bad start for a child of the Eighties. In 2006, Adam moved to the sunny North West of England, where he now lives in domestic bliss with his wife and cat in a house next to a canal, although he has yet to take up any fishing-related activities.

    When not writing Adam can be found drinking tea and obsessing over DC Comics, Stephen King, and The Cure. His first novel, EMPIRE STATE, is out from Angry Robot books in January 2012. For more information, please visit angryrobotbooks.com.

    Adam can be found online at adamchristopher .co.uk and on Twitter as @ghostfinder.

    Staying on Target: How growing up with Doctor Who books shaped my childhood and turned me into a writer

    Books and reading are two of the most important things we need as we grow up. I don’t need to tell you that, or explain why this is. You and me, we know this is a fact. And for some of us, reading and writing went hand-in-hand – I’ve still got exercise books full of stories I wrote from about the age of seven up, and, perhaps not surprisingly, these stories reflected what I was reading at the time.

    I’m of a certain age where the term “YA” didn’t exist, not as a distinct marketing term anyway, when I was growing up. Books that might fit that category now certainly did exist, and there were books that were either labelled as suitable for “12+”, or were somewhat clunky, calculated “teen” reads, heavy with issues and serious business that for me, as a fan of ghosts and spaceships and time travel, were of no interest at all.

    My greatest childhood reading memory, the books that meant the most to me, that spurred me on to write my own stories, were the Target Doctor Who novelisations. From 1973 to 1991, 152 paperbacks were produced (plus three early adaptations from the 1960s), novelising the TV adventures of the famous Time Lord.

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  • If I started thanking all the people I owe thanks to, I could be here the rest of the day and y’all would stop reading around about page sixty-zillion, if not before.

    So I want to instead write briefly about how much I appreciate the readers in my life.

    In that, I don’t just mean just the people who read what I write now — who, yes, I am very thankful for. So, yeah, thanks to all of you who take a moment to read these ramblings, or my ramblings elsewhere, or my books.

    But in the U.S., it’s the day after Thanksgiving. Thanksgiving week is a time that’s usually about family for those of us lucky enough to have family (which, incidentally, I like to remember that plenty of people don’t). So I’m going to take a moment to be thankful for the readers in my family who taught me, early in life, to love reading — by doing it themselves. (more…)

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  • On May 15th, 2006 I was about 3/4 of the way through writing a book called God’s War. I was drinking a lot of whiskey and writing a lot of disjointed dialogue and fight scenes. I was also slowly dying of an immune disorder, and didn’t even know it. All I knew was that for the first time in my life, I could eat whatever I wanted and continue to lose weight… despite the fact that I was becoming physically weaker day by day.

    People are always asking writers where ideas come from. Though there are all sorts of influences that went into the creation of the Bel Dame Apocrypha, it’s worth pointing out how much of my experience during the year I was dying and the subsequent stay in the ICU – with its syringe-carrying nurses, hourly bloodletting, complete dependence on strangers, memories of fragmented consciousness, and the thin bearded Indian doctor who attended me post-ICU, went into a lot of the key scenes in these books.

    It’s also an interesting example of how some of the worst experiences of your life can turn out to be some of the best… if you just know how to apply them.

    Here’s what I wrote about that experience on May 20, 2006 just a day after getting out of the hospital: (more…)

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  • John Hornor Jacobs, 1989

    I give thanks for word processors and spell check. I give thanks for plumbing, electricity and truck farming. I give thanks for clean, potable water and supermarkets full of frozen turkey. I give thanks for agents and editors. I give thanks to my family, my wife and daughters, for putting up with my silly story-telling when I should be having tea-parties and reading to them. I give thanks for modern medicine and the doctor that set my daughter’s arm. (more…)

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  • When reading a book, I like a terse cryptic Acknowledgement page, myself.  Something like:

    I’d like to thank Jim for cleaning up all that blood.

    or

    Here’s to Laura’s wooden leg.

    or

    This one is for Julia’s very touching husband, wherever he is.  I hope he gets what he deserves.

    When they asked me what to put on the Acknowledgement page for Revolution World, I totally blew my opportunity for a truly bizarre acknowledgement and just thanked Chris Roberson (Because My God that guy is nice.), my Mom (because having a retired English teacher edit your manuscript is the bomb) and my husband (because he puts out).  I was tempted to go on, but I didn’t want to be like that chick who won the Miss Bay City Smog Awareness Pageant who got all weepy as she thanked everyone she ever met and all the starving children in Africa and generally yammered on because there was a microphone in her face and people might be listening to her for once.

    I have some really great words I can use to describe myself.  This last year has been the first one in which I could use the word “author” to describe myself and not feel like I should follow it up with “sort of.”  Really, that’s been enough coolness for one year for me, but the awesome keeps on coming.   Being a part of the Night Bazaar has been great, for starters.  I have gotten great experience writing these weekly blog articles and meeting Courtney and the other folks was good clean fun.  Two of the coolest writer things to happen for me this year are weird, but that’s never stopped me from sharing before. (more…)

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  • From our friends.

    When this subject came up, the initial urge was to thank everyone who’s ever had some sort of influence on my writing. I’ve done a lot of that already, though, here on this blog and posts on my own blog. I’ve done it in my acknowledgements. I’ve done it in person when I’ve seen them. And I made a point to email those that I felt deserved direct thanks once The Winds of Khalakovo was accepted for publication. I’m not going to cover that ground again. Not that those folks don’t deserve another round of thanks. It’s just that I want to focus on another aspect of coming up, as it were.

    I’d like to give thanks to my peers, those who helped me in smaller ways, or perhaps in mutually beneficial ways, along my path toward publication. Who am I talking about here? Well, it’s no one group. It’s a variety of groups and people and individuals that were coming up themselves. Some were ahead of where I was, and some were not quite as far, but they all helped, and I hope that I helped them as well.

    I’ll start with Critters. I never gravitated toward meet-and-greet type writing groups where people met in person and critiqued, largely because when I first got into writing, I was traveling for work and it just wasn’t very feasible for me to make meetings. Another issue was that with larger, online groups, you have a greater chance of finding those that work well with you, and vice versa. You hopefully find people that challenge your writing, and hopefully you challenge theirs. Critters was this way for me, at least at first. I did eventually find the system a bit rigid and slow for my liking, but I certainly advanced in my craft during my time there. (more…)

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  • Okay, I’m a big fan of the film “It’s a Wonderful Life.” (Go ahead and groan. It’s all right.) I’m one of those saps that watches it every year during the holidays. The central concept — that each of us was part of a bigger whole and that we each have an effect on one another that ripples throughout the world — was an epiphany. I believe in that concept with all my heart. While I enjoy the myth of the self-made person, the truth of the matter is that none of us makes it in this world alone. Being successful requires a combination of factors. Take out even one, and it won’t matter how hard you work. It simply won’t. Dumb luck is undeniably a big element to success. Of course, so is self-discipline and hard work. But at some point, someone somewhere must cut you a break — that break could be in the form of a boss that is fine with you taking time off to write or do research. It could be a spouse that is emotionally and financially supportive. It could be as big as race track owner providing racing lessons for research. But then it could be as small as an introduction that doesn’t pay off until years and years later. Me, I like to remember those things because it keeps me honest. It reminds me that it’s important to give back and part of that giving back is saying thank you. That’s why the acknowledgements section is so huge in my books. It doesn’t matter to me if readers skip it because it’s too long and dull or whatever. It’s there because it’s vital to note all the help one received in the process of making that book. Too many people think that all that is needed is the author. They’re dead wrong. A good book is produced as the result of a whole community. Readers should be clear on that point. I feel having that two page list demonstrates the point well even if readers don’t read it.

    I had the help of friends from the very beginning. My husband gave me emotional and financial support. He even serves as my idea wall. (That is, I bounce ideas off him all the time.) I met my best friend Melissa Tyler at a beginner writers’ group meeting. She keeps my spirits up, and not only that, she’s an amazing first reader. Carrie Richerson was the first professional to be truly supportive. Jim Minz introduced me to Charles de Lint. Charles has been fantastically generous, I owe him so much. In addition to blurbing Of Blood and Honey and being a fabulous mentor, he provided musical knowledge of the seventies and sent me mix cds! Sharon Shinn was another mentor, and let’s not forget Holly Black without whom I wouldn’t have an agent. There’s Scott Lynch too. Those are big names. Sure. But those you wouldn’t know were just as helpful. The staff at BookPeople for a start. My good friend Jennifer Danvers too. The point is, sure, I worked very, very hard and still do, but I wouldn’t be anywhere without the support of a long list of friends, acquaintances, mentors, and family members. Readers are a big part too. Without the support of readers, writers are nowhere. At the same time, had I not worked as hard as I did to be the best writer I can be — to sit down in front of the computer and write, all the support in the world would’ve gone nowhere fast. So, it’s not one or the other. The real answer is e) all the above.

    So, thanks for being part of that equation.

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  • Courtney SchaferI was terrified when writing the acknowledgements section for The Whitefire Crossing that I would accidentally leave someone out.  So many people were so generous with support, critique, and advice, and I’m terribly grateful for each and every one of them.  But there are two people in particular I can’t thank enough, because without them, I guarantee you I would not be sitting here now as a published author with The Whitefire Crossing in readers’ hands.

    The first is my good friend Jeanne.  I’ve mentioned before that while I always liked writing, I spent years futzing around with little bits of scenes, never moving beyond a couple pages.  Aside from my issues with perfectionism, I was just too damn scared to try writing an entire book.  (Or maybe too damn lazy.)  I was content to tell myself I’d try it someday.  You know, one of these years.  Maybe after my knees gave out from double jumps and pounding down moguls.

    Jeanne is far braver than I am.  (And she doesn’t even know what the word “lazy” means.  She gets more done in a day than I can manage in a month.)  When she wanted to get better at writing, she asked around among her friends, discovered which of us harbored interest in writing, organized us into a little writing group, and convinced us all to try NaNoWriMo together.  During NaNo, she invited us over to write-ins and provided both cheerful encouragement and the occasional kick in the ass; as result, all of us managed to finish 50K worth of words in that month.

    In my case, NaNo lit a fire inside me that hasn’t gone out to this day.  I discovered I LOVED writing a novel.  Yeah, it’s hard work, but *satisfying* hard work, just like climbing a precipitous peak or hiking a long distance trail.  Without Jeanne, I might never have had the guts to discover that joy. (more…)

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