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Posts made in March 22nd, 2012

  • Well, this is interesting.

    Yesterday evening I had just finished writing a blog entry on this week’s subject, SF subgenres that end in “-punk,” and was all set to post it here first thing in the morning…but in the meantime my wife and I had a dinner date with friends.

    When we got home, our house had been broken into.

    We must have interrupted the burglar, because very little was taken – just some cheap jewelry of mainly sentimental value, my wife’s reading glasses (no doubt grabbed accidentally because they were on the box with the jewelry)…and my laptop computer. The computer which held in its hard drive my just-finished Night Bazaar entry – damn.

    Now I’m driving myself crazy trying to remember what exactly I wrote in that essay, and more importantly if there was anything else stored on that computer that wasn’t safely backed up in some other location. This is going to eat at me.

    It’s after midnight, and I’m trying to be calm. Someone has been in my house. They broke a locked window and smashed a wooden shutter, which must have taken some determination, and they went through every room looking for loot. Fortunately, there wasn’t much to be found amid all our clutter. It could have been worse – they didn’t trash the place; maybe they just didn’t have time.

    We arrived home to find the house wide open, the night breeze wafting in through the busted window and yawning back door, the cat a bit traumatized and very grateful to see us. Too bad he couldn’t describe the thief. Tomorrow we have to call the insurance company and also look into some means of making the house more secure, or we’ll never again feel safe leaving it. Right now it’s hard to imagine.

    The questions arise: Was it a past acquaintance? A neighbor? Who else would know our comings and goings better than someone who lives right next door? Or was it a friend of a friend, someone with inside knowledge of our plans? Our phone answering machine registered a hang-up shortly after we went out – could it have been someone checking to see if we were home? When the police investigator comes in the morning, I’ll ask if he can trace that call.

    Phew…I’m getting tired. The adrenaline is wearing off; I can barely see straight. Guess this will have to do for my blog post this week. Shame about losing the other – it was a good essay, and I worked hard on it. God knows what else I lost. Fuckit, I’m going to bed now.

    –W.G. Marshall

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  • “You keep using that word. I do not think it means what you think it means.”The Princess Bride

    What do various subgenres really mean? It’s important to think about the answer to that question because SFF works are constantly being categorized and re-categorized. The English language is a living thing in that it constantly shifts and changes. Words are dropped out of current use and others are revived. The particulars of grammar alter over time as does spelling. One can object to such things, but it doesn’t do much good. (Although, I do wish sometimes that people had a bit of historical context.) Readers need labels in order to find what they like. There are simply too many books out there. Here are my thoughts on a few subgenre labels.

    Urban Fantasy/Paranormal

    The meaning of Urban Fantasy seems hotly contested these days. There are those who swear it is Fantasy with a romantic sub-plot (a newer definition) and those who deny that romance has anything to do with it and that it merely means fantasy set in an urban environment (an older definition.) As I’ve said before, while I don’t agree with the first definition (I’m in the ‘not romance’ camp) it does have merit. Those of the first group tend to use television (specifically Buffy the Vampire Slayer which aired starting in 1997) as the start point. Those of the second group are referencing  Borderland (an anthology published in 1986) and authors which contributed to it and the subsequent series such as Terri Windling, Charles de Lint, Ellen Kushner, Emma Bull, and Will Shetterly. Neil Gaiman and Jim Butcher are (in my opinion) Urban Fantasy authors. Traditional Urban Fantasy also has a musical (usually punk but also country-folk) element. Laurel K. Hamilton started as an Urban Fantasy author and then drifted into Paranormal Romance, that is, fantasy with romance plots. (She is where the lines between the two start to fray.) If you ask me, the whole argument is a bit like asking music fans about the origins of punk music. Some will say that punk started in New York and is defined with music and fashion only. Others will state with absolute certainty that punk started in London and also encompassed a political movement. (I’m of the belief it started in London.) The truth is, while the London scene had a bit of a jump on the New York crowd — each heavily influenced the other from the very beginning. Which brings me to the next set of subgenres.

    *-punk

    As you can probably tell, I’m into punk music. So, the word punk has certain associations — subculture, youth, rebellion, shock culture, artistic edgy-ness, fringe, political upheaval, anger, DIY, chaos, anarchy, and anti-establishment. Now that ‘punk’ has become a genre suffix… well… I don’t believe that it’s necessarily being used in the same way. In the case of Steampunk, I’m dead certain it isn’t. However, it can be argued that Cyberpunk (the first subgenre to use -punk) did intend the ’70s era meaning of the word. Cyberpunk stories contained high-end technology combined with a disintegrating social order, that is, chaos. It tended to glorify the loner, had a DIY (do it yourself) mentality (if you were a programmer) and very definitely was anti-establishment. Steampunk, on the other hand, is about nostalgia, more specifically, a nostalgia for empire. My theory is that the movement is rooted in the anxiety that America (like Great Britain before it) has lost its status as the dominating super-power in the world. Thus, steampunk looks backward instead of forward — to the good old days when men were men and women wore corsets and looked dainty and everyone (well everyone not being oppressed by the empire in question, anyway) was optimistic and financially stable and all was right with the world. (Again, provided you weren’t a minority.) For that reason, I don’t understand why Steampunk rates the punk suffix. Perhaps it’s because of the DIY costuming element, or maybe it’s the mad scientist angle, but for me that isn’t enough. Of course, there are authors who are challenging the Steampunk stereotype. Frankly, I look forward to seeing that aspect of the subgenre develop more fully.

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