The first way in which children’s fantasy influences adult fantasy is that it acts as a gateway drug for readers, who as they grow up desire more sophisticated fantasy to read. At the same time children’s fantasy causes little story-telling fantasy readers to grow up telling fantasy stories which develop from children’s to adult fantasy.
One of the worst influences on modern literature is the academic study of it. Whole departments of PhDs and PhD candidates, poring over stuff that writers were hacking out to amuse their friends, or support themselves and their families, excavating for the deepest meanings, lauding and deifying the writers, has changed our culture’s view of fiction. From Aphra Behn to Mrs. Gaskell, fiction was railed at from the pulpits and condemned in the parlor as a form of entertainment that could rot your brain or subvert your moral tone (and where do we hear this nowadays? Gods help us, in fifty more years I’ll bet there will be academics studying video games). Now, because of academia, fiction is taken very seriously indeed.
Children’s fantasy, on the other hand, still enjoys its status of being overlooked. Fairy tales, magical adventures, encounters with talking ducks and flying trains, are obviously not to be taken seriously. This gives the story-teller a world where nothing she writes is held to any special account, where she can try anything, and if it doesn’t quite work, well, it’s just a fairy tale, it’s just a fantasy, you know, for children. The talking duck is dumb, and trains can fly. Amidst this benign neglect, where there’s no place to fall, (I mean really, a talking duck?) the writer is given scope and depth to explore wonders without fear or hesitation.
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