J M McDermott‘s first novel was plucked from a slush pile and went on to be #6 on Amazon.com’s Year’s Best SF/F of 2008, shortlisted for a Crawford Prize, and on Locus Magazine’s Recommended Reading List for Debuts. His short fiction has appeared in Weird Tales Magazine, Fantasy Magazine, Apex Magazine, and Lady Churchill’s Rosebud Wristlet, among other places. He has a BA in Creative Writing from the University of Houston, and an MFA in Popular Fiction from the Stonecoast program of the University of Southern Maine. By night, he wanders a maze of bookshelves and empty coffee cups, and by day he wanders the streets of Atlanta, where he lives and works. He tries to write in between.
[Editor's Note: J. M. McDermott will give away one copy each of his novels Last Dragon and Never Knew Another to one lucky blog reader - just comment on this post by 11:59PM MDT Saturday August 20th to enter the drawing!]
I’ve been invited to speak, and told the subject of the week is world-building. Do I have anything to say that I haven’t said before? I suspect I’m writing for writers, here, and not for people who would prefer to identify themselves as readers first, and writers never. In this, I wonder what new can be said on the subject. I can’t think of anything that hasn’t been said before.
Different processes produce different results. I use Microsoft Excel. I’ve talked about this before. I like spreadsheets. Some people like to use the same tools they use when they run DnD campaigns. Some people just make it up as they go. Others keep detailed notes, in hand, or draw maps in mapping software, or all sorts of other things. World-building is a good idea in fantasy, because you get to make the world your own.
What does it matter, really, what tools you use as long as your world suits your narrative?
Often, I am bored by world-building in the books I read. I’m not really into “cool” worlds. I read for characters and to find the questions of my life that I did not know I was supposed to be asking. I mean, really, what matter whether a river is purple or a mountain is made of glass if the people of that world are not changed by it in some fashion, and not just in that they need special shoes to walk on the purple water and climb the glass mountains? I mean imagine that the glass of the mountain is a metaphor for a bright, shining, religious lie, and it is so massive that all the stained glass windows in the world have been thrown up together into one, huge monument to the lies. I mean that the character who climbs this mountain discovers a truth upon it that makes the monument a lie, because the thing that inspired it all was wrong to begin with. Things are different for a reason, and it has to do with art. Otherwise, we’re just messing with reality for the sake of making reality cooler than it is, and it feels lazy to me because reality is actually very cool, already. (more…)
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