Posts in the "Pet Peeves in Writing" Category

• Glengarry Lou and the Daddy Issues Monologues

  Pet Peeves in Writing

  I hear a lot of complaints from people I know who want to read fantasy, but either don’t dig the migration of the genre onto the mean streets of the big city or are just repeatedly disappointed by urban fantasy novels they pick up. If they’re people who actually read urban fantasy, their complaints are often about formulaic covers featuring a malnourished bustier-clad cerulean-eyed brunette with a samurai sword looking over her shoulder, Celtic knot/Katakana characters tattooed on the small of her back. They reflect a paint-by-numbers approach to the genre.

  Since I consider urban fantasy, in a broad sense, to be (God help me!) my very favorite genre, I figure I should pick on it. You only hurt the ones you love…right?

  I find that since the genre started to rise in popularity in the ’90s, it’s succumbed to a very strange series of impulses. As the genre has seemed to replace romance per se as the genre most explicitly marketed to women, the urban fantasy genre has migrated into a place of formula blandness that, frankly, I find more bland than the 180-page Silhouette Va-Va-Va-Vooms, the Death Takes a Bus Transfer Ba-da-Bings, the Murder in a Country Cottage Cream-and-Sugars, and the zillion-page Earth-rumbling tomes of Tolkien-For-Dinner-Again?

  Urban fantasy too often succumbs to the worst aspects of the romance genre (a genre I respect but don’t write), the worst aspects of the detective genre (a genre I like, grudgingly), and the worst aspects of the fantasy genre (which I like, sort of). There are a hell of a lot of damn good female detective writers out there, and a hell of a lot of damn good female fantasy writers out there, so why are there so many paint-by-numbers books in urban fantasy, when I know lots of quality female writers who are going hungry?

  Here’s what I find frustrating about too much of the urban fantasy genre (no names…srsly, I’m talking about no one I know, or at least no one who likes me very much): (more…)

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• Another Loosely Related Anecdote to Our Assigned Topic

  Pet Peeves in Writing

  I like anecdotes. Here’s one:

  A very long time ago (1991), I studied poetry at Bennington College with a man by the name of D___ G____ (name redacted to protect the innocent guy). He later went on to become the head of the _____ _____ for the ____. He was a poetry and language badass – a speaker of five languages, translating poetry from Italian and crap like that. I don’t think he liked me very much. Often he’d select my poem – when we were NOT doing open workshopping – and eviscerate it in front of the whole class. He was a prick, honestly. But in his defense, I was a total idiot in 1991, just 20 years old and convinced I knew more than any one else. Really insufferable. (Don’t start, okay? Yeah, I know I’ve left myself wide open.). (more…)

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• Reading Under The Influence

  Pet Peeves in Writing

  I would love to read lying in a hammock some place scenic and not face-meltingly hot like Texas, possibly getting wafted with a  palm frond (or similar wafting-type device) by my favorite cabana Spouse.  However, it’s far more likely that I am reading:

  • Under my desk at work while eating something that probably wasn’t food until the fast food industry got hold of it.
  • While cooking dinner over a hot stove with a rugrat dangling from each arm.
  • At the end of a long day, pausing every ten minutes to scream at aforementioned rugrats to go to sleep and let me have five frickin’ seconds of peace.
  • Holed up in my room at a convention with a bottle of cheap wine when I really ought to be out on the scene being fabulous and interesting.

  Basically, I am ridiculously busy and I don’t mind, but it means I can’t devote my whole brain to reading these days.  I suspect that my situation is similar to the demographic heavy reader (women of a certain age who live in the ‘burbs) so I try to take note of what annoys me in a book.   I’m not the poster girl for normal, but I can pass for one on occasion.  I used to have pet peeves.  Now I have working parameters.  Here’s three plus a freebie:

  (more…)

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• How Writing Deadens the Reader’s Mind

  Pet Peeves in Writing

  My biggest pet peeve? That I’ve lost that sense of adventure that I got while reading as a teen. I can hardly read a story now where I don’t see the author typing on the other side of the page. I know, I know, that’s not really what the topic is about, but it’s still rather annoying. It’s also a common refrain among authors. As we learn more how stories work, we’re more apt to notice things that can knock us right out of a story.

  And if it’s this way for us, imagine how it is for editors. They read way more stories than I do, and they see all the nasty roots that reach up and trip the young writer all too often. They’re attuned to those things so keenly that (I imagine) they have to work overtime just to stay in some stories that they feel show promise.

  The moral of the story, I suppose, is to remove all those exposed roots before handing the story to the editor. Easier said than done, I know.

  (more…)

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• Petting Peeves

  Pet Peeves in Writing

  I’m late posting. Sorry. I’ve been writing — which is a good thing — and I’m on a tight deadline — which isn’t fun but it’s still a good thing. Anyway, I don’t much like complaining about bad writing in public. It comes off as if the person complaining is somehow perfect or superior. No one is perfect. Everyone makes mistakes — it doesn’t matter how long you’ve been at it. Also, every genre has its tropes. What would never be considered good writing in one genre can (and is) considered the standard in another. To each their own, you know? Anyway, here are my three.

  Nothing will bounce me out of a story faster than ye old Mary Sue/Larry Stu. It just comes off as juvenile author wish-fulfillment. It’s especially annoying if everyone feels the character in question is sexually attractive, even when it’s been made clear they are average or plain. Also, stories where absolutely everyone appearing in the narrative is physically perfect. That’s just not reality. (It’s also my least favorite thing about modern films. It seems there are no character actors any more.) I’ll lump the “special snowflake” into this category too — that is, the person around whom the universe revolves and/or would fall apart without. Yuck. I never even liked it when Frank Herbert did it in Dune. (Yes, I like that book, but I generally skip the last part because the messiah routine makes me want to barf.) Even Buffy needed the Scoobies, bats and ghouls. That’s what kicked ass about Buffy.

  Bad humor. Ask any actor. Drama is dead easy. Comedy is hard. Comedy requires a sense of timing and tension. (That is, tension between the expected and the unexpected.) This is particularly true of prose. Don’t let your characters laugh at their own jokes. If they laugh, not only does it release the tension for the reader, it looks like the character is gouging the reader in the side and saying, “Look! That’s funny!” Usually, it isn’t. It’s even more so when the character repeatedly elbows the reader. Meh.

  Movie dialog in prose. Film dialog uses specific patterns because films have two hours or less to establish characters, plot, conflict and setting/time. Otherwise, viewers are confused. (Which is why you end up with “As you know, Bob, the meteor is only a day away from crushing the planet, and the world is in chaos!” It’s okay to do that within a film. It’s very not okay in prose.) Listen to how real people speak. How often do you hear someone repeat the other person’s name if there are only two people in a room? Bet you’ll discover the number is zero.

  Well, those are my three, what are yours?

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• My Top Three Storykillers

  Pet Peeves in Writing

  My biggest pet peeve in writing? Right now it’s this one chapter of The Tainted City (sequel to The Whitefire Crossing) that I’ve written about five different ways and I’m still not happy with it. But! That’s not the point of this topic, so I shall move on – much as I am with The Tainted City. (Always better to come back later to the offending chapter with fresh eyes, rather than get sucked into a morass of perfectionism and stall out.)

  Much as I love writing, I have to admit it’s got one downside: the more I write, the more picky I get over the books I read for fun. Things that once might’ve inspired a brief annoyed sigh while reading now jar me right out of the story, sometimes irrevocably. A shame, because a forgiving reader is a happier reader, with a much wider pool of potential books to enjoy.

  Pet peeves are funny things: what drives me crazy as a reader might not ping your radar at all. Thank goodness for that – it’s such a relief as an author to know how idiosyncratic questions of taste and style really are. Just because one reader (or agent or editor) doesn’t like your work, it doesn’t mean the next will feel the same.

  And story is king over all: even now I’ve gotten over-sensitive to craft/style, I’ll keep reading past every single one of my pet peeves if the author is a good enough storyteller. (It’s just that the bar for “good enough storyteller” keeps getting higher for me every year, darn it.)

  So what bugs the heck out of me these days when I read books? For what it’s worth, here are the top three things that throw me out of a story: (more…)

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• Ari Marmell on Tropes, Cliches, Stereotypes, and Traditions: A Field Guide

  Guest Post

  Ari Marmell is a fantasy and horror novelist of both original and tie-in fiction, as well as a freelance writer for role-playing games. For those of you who are paying attention, yes, his newest novel, The Goblin Corps, makes substantial use of the tropes of traditional fantasy. This was both deliberate and integral, and Ari will happily feed anyone who says otherwise to the kobolds.

  I am, even as I type this, currently taking a break from the daily grind—which, in this case, is defined as producing word count for my novel-in-progress. Said break was not so much deliberate or willing as it was enforced by the fact that I appear to have written myself into a corner. The fact that I’m a diehard outliner is supposed to prevent this sort of thing, dang it!

  But, uh, that’s not really the sort of “pet peeve in writing” you came here to read about, is it?

  Yep, “pet peeves in writing” is the topic for this week’s Night Bazaar blog entries, and I’ve been invited to participate. And while I’m told I was welcome to come up with my own subject, using a pre-assigned topic requires substantially less mental effort.

  It also happens to be something I’m actually interested in talking about, so we all got lucky this time around. (more…)

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