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Posts in the "From airships to jet packs–The best flying machines." Category

  • From Airships to Jetpacks – Five Ways to Fly.

    Humans have wanted to fly for as long as birds have teased them, and over time — especially the last century or so — we’ve come up with a lot of interesting proposals for how best to approach the problem. Some were successful; others contained the kernels of success; and some died ignobly at once, usually taking their so-called innovators with them.

    MEN WITH WINGS

    The story of human flight parallels very closely the story of mechanical power (and industrial advancement in general). This is no accident — even the most brilliant aircraft design can’t be built, tested, or duplicated if there don’t exist sufficiently powerful motors, or sufficiently strong and lightweight materials, to make the physics work.

    Naturally, one of the first ways humans attempted to fly was by copying birds, usually by attaching wings to their arms and flapping really hard. Sometimes the men — these foolhardy beings were invariably men — would bypass the “testing” phase and skip right to leaping from a tall cliff or tower, flapping all the way down, only occasionally surviving.

    As far back as 1678, a French locksmith named Besnier attempted to use flapping oars (left) to conquer the air, and while I don’t think it actually worked, his skill at PR certainly did: later reports indicate he was able to “raise himself by short stages from one height to another, or skim lightly over a field or river.” Suuuure he was.

    But humans are just too heavy and too weak to flap hard enough to fly. In order to be borne aloft by wings like those of birds, the wings would need to be dozens of feet long, pumped far harder than human muscles could manage.

    In the 1890s, German Otto Lilienthal (right) made great progress with gliders. He constructed a tower at the top of a hill, and managed to make numerous controlled descents, working out the princples of airfoil (flat-wing) aerodynamics. He was killed in a crash (as these types tended to be) in 1896, but left a legacy that led directly to the development of controlled, powered flight.

    Lilienthal had some good ideas — and over the years, even as powered aircraft became common, single-person hang gliders remain a popular way to fly. But true, “flapping” flight did become real until 2010, when an ornithopter named “Snowbird” actually took to the air by flapping its wings:

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  • The best flying machine? Here’s an obvious answer:

    The best flying machine is one’s imagination. It is where all the others came from.

    Here’s a less obvious answer:

    I have often dreamed I could fly. The dreams all start out the same way. I am running, not from something, and not to something, just for the joy of it, and after a while I am going so fast and leaning forward so far that my feet lift off the ground and I start pushing myself along with just my hands, like I was floating in a shallow pool and using my fingers to tip-toe along the bottom.

    Soon after that I am whisking along so well that I only need the occasional touch to keep me going, and then with a final push, I am gliding along with no support at all, down a street, through an intersection, then up to the second story and the third, and at last up and over the roof tops and the trees where I can look down at the world and curve and swoop and dive to my heart’s content.

    The sensation of this was so vivid, and remains with me so clearly, that I feel that I have actually flown that way, alone and unaided by any machine.

    When I am reading, or writing, or watching a movie, the flying scenes that I am drawn to are the ones that capture that same sense of joy and freedom, as well as the same feeling of exhilarating height and vertical space. Miyazaki’s heroes banking round the flank of a cloud, the Great Waldo Pepper barnstorming down the main drag of a small town, Baron Munchausen rising gracefully over the city in a balloon made of women’s underclothing, the drone of streamlined flying wings flying through criss-crossing searchlights in William Gibson’s The Gernsback Continuum, Arthur Dent throwing himself at the ground and missing in So Long and Thanks for All the Fish, desperate boarding actions between Edgar Rice Burroughs’ floating Barsoomian barges, all bring back that remembered sensation of flying that makes my spine tingle with both terror and joy.

    So really, it doesn’t matter what machine gets me there. All that matters is the high.

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  • Flying machines! Who doesn’t love ‘em? Personally, I’ve been waiting all my life for a nifty flying saucer a la THE JETSONS, but Toyota probably won’t come out with one until two minutes after I’m dead.

    That’s okay. I’d almost hate to spoil the dream by having it come true – one more technological miracle made mundane by over-familiarity (“We still have a space-station? – oh snap, check out what Snooki’s doing!”). I think of youngsters today watching old episodes of STAR TREK, completely unaware that the cordless, flip-open communicator was once a thrilling futuristic notion (but you still don’t have an I-version of Dick Tracy’s 2-way wrist radio, do ya, punks?).

    Still, a personal flying machine sounds slightly more amazing than a glorified telephone. Slipping the surly bonds of gravity. Up, up, and away! The idea has certainly been around long enough; people have always wanted to fly. From Icarus to Aladdin to the recent movie CHRONICLE, getting the protagonist airborne has been a popular plot device pretty much forever.

    And reality has kept pace with fantasy, from Montgolfier’s balloon to the Wright Brothers to Sikorsky’s first helicopter. So much for “If Man were meant to fly, God would have given him wings.” In fact, when the helicopter was invented, it was called “The God Machine” because of its outlandish maneuverability, which finally proved out Da Vinci’s wildest fancies of flight.

    We still haven’t improved much on the basic helicopter. The compact utility of the ROCKETEER’s alcohol-powered jet pack doesn’t look like it’s going to be available commercially anytime soon; likewise the Flubber-powered jalopy from THE ABSENT-MINDED PROFESSOR or the flight-converted DeLorean from BACK TO THE FUTURE; nor the powered armor from Heinlein’s STARSHIP TROOPERS and the IRON MAN movies.

    Probably just as well with the powered armor – I can just imagine the sky on a Saturday night being full of drunken yahoos playing Superman, a million alcohol-fueled buzz bombs dinging around like pinballs and going down in flames.

    Flying cars could be just as bad. Look at the bumper-to-bumper skyways in BLADE RUNNER and THE FIFTH ELEMENT. In Heinlein’s STRANGER IN A STRANGE LAND, your aerial vehicle can betray you to the corrupt forces of the government – and deliver you right to them. In Paul Theroux’s novel O-ZONE, obnoxious rich kids go joyriding at night in daddy’s skymobile to terrorize the flightless poor.

    That’s the negative side – what about the good stuff?

    One of my earliest fantasies of flight came from the opening credits of the Yogi Bear cartoon, where Yogi uses a helicopter to snag a picnic basket and then proceeds to enjoy a leisurely sandwich in the air. I loved the idea that a flying machine could be so simple and safe you could take your hands off the controls and eat a snack while buzzing along at treetop level. Unfortunately, Yogi’s helicopter runs out of gas before he can finish, which always frustrated me – I would’ve preferred the whole show to be about Yogi having lunch in that chopper.

    With the advent of Steampunk, there has been an explosion of WWI flying machines: biplanes, triplanes, dirigibles. The Sopwith Camel! Hey, PEANUTS did it first, Snoopy flying his bullet-riddled doghouse into battle against the Red Baron. Speaking of unlikely aircraft, I can’t forget Roald Dahl’s Great Glass Elevator or the seagull-powered megafruit from JAMES AND THE GIANT PEACH. In APOCALYPSO, the third book of Walter Greatshell’s XOMBIES series, there is a grotesque “Xeppelin” made from the tarlike extract of thousands of nuked undead – a sentient zombie blimp!

    But I think the flying machine I would most like to have is the Ornithopter from Frank Herbert’s DUNE. I’m not speaking of the movie versions of DUNE, none of which really captured the aircraft described in the book (perhaps because it would have been a tough special-effect, pre-CGI). They made it look heavy and clunky, not at all birdlike. The Ornithopter as I imagine it should look graceful, with long wings that elegantly unfold in flight – something like a seagull crossed with a Harrier jet. To me, that’s the embodiment of any truly advanced technology: a machine that closely mimics the fluid action of living things.

    That should be the point of all technology, shouldn’t it? Not to burden us, but to give us wings.

    Thanks for reading!

    –W.G. Marshall

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  • This is terrible, but I don’t have a favorite flying machine. Well… unless you count Columbia (Apollo 11.) I liked the WWII bombers with the tiger’s teeth painted on them when I was a kid. (I’ve no idea what make they were.) I still think those things are pretty cool looking. However, they don’t compete with Columbia (Apollo 11.) I remember watching Neil Armstrong bounce around in moon dust and thinking, “Damn. I want to do that.” Yeah. Not so much. First hurdle? I’m afraid of heights, and I’m a touch claustrophobic. Bad combo. Still, it was exciting and inspiring to watch. I’d even go so far as to say life-changing. Because 1969 was the year when Sci-fi dug its hooks in just bit deeper. Apollo 11 made just about everyone I knew believe anything was possible. Science meant hope for the future. Science meant an end to hunger, war, ignorance, poverty, and fear. I miss that optimism and that sense of wonder. Apollo 11′s Columbia will always represent that to me.

    Of course, people forget the world was in turmoil then as much as it is right now. There was the dark side to the space race because the race in question wasn’t science for science’s sake. It was, let’s be honest, science being used against the Russians. Adults were terrified of the emerging generation — that was the year of Woodstock, after all. Those hippies were uneducated, over-educated, irresponsible, jobless, lazy, spoiled, and down-right dangerous. It was also the year the Troubles started in Northern Ireland, and the year student protestors were shot dead at Kent State. The fight for civil rights for persons of color had just settled into an uneasy stall after the assassination of Martin Luther King, Jr. the year before. The women’s rights movement was gathering steam. (Roe v. Wade was four years coming, and women had had use of the Pill for less than a decade.) There was a lot of hostility toward women due to the feminist movement — a lot. The Vietnam War was in full swing. (1955-1975.) I could go on and on. And I can’t help thinking it’s no coincidence that Columbia was also the name of the second space craft that had a huge effect on me. To this day, I can’t really think about it without tearing up.

    Anyway, does any of this tension, this sense of danger, sound familiar? People have a tendency to glorify the “good old days.” I’m here to tell you that’s bullshit. For me, Apollo 11′s Columbia symbolizes that tumultuous time when anything could happen… and did. So, much good came out of the struggles of that era.

    I firmly believe that we have the same opportunity now.

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  • What are my choices for best flying machine?
    The way I see it, there are four top contenders: Bird, plane, Superman, and Chitty Chitty Bang Bang.
    PLANE: Maybe this would have been the winner once, back when stewardesses were apparently chosen for hourglass pinup appeal rather than competence. Back when flying was glamorous, when the journey was as exciting as the destination, when a plane represented beauty and human progress and opulence and privilege.
    But eventually, planes became about snacking on a handful of stale honey-roasted peanuts too small for a squirrel to even bother with; planes became about wondering if your luggage would be waiting for you or on its way to the South Seas; planes became something you emerge from, weary and homicidal, after circling nine thousand times above LaGuardia because of a rainstorm somewhere near Tallahassee.
    Plane, no.
    SUPERMAN: OK, pre-2001, this would have won hands down. Hands freaking down. I mean, Superman, right? Man of Steel and Curls of Mousse. Chiseled jaw and admirable penchant for luring curious ladies into danger, then rescuing them. Yeah, baby.
    But then that Five for Fighting song happened, and it all went to sh*t.
    Now Superman has turned into a brooding, shower-deprived, emo guy, the one who hogs the best overstuffed armchair in Starbucks for like four hours, scribbling his misery in a battered Moleskine journal between periods of staring out at the rain with a vapid expression on his pretty face. “It’s so hard to be me,” he is thinking. “I know I’m more than a hunk of hot man who can fly. But I am so conflicted. What is good? What is evil? What is the name of that blond girl over there? I’m in so much pain. Oh, that can be the name of my next poem: So Much Pain.”
    Superman—or should I say Sissyman?—no.
    CHITTY CHITTY BANG BANG: Though I confess a flying car would have its advantages south of Boston at 5pm on a Friday, I can’t begin to imagine the impact that thing would have on America’s consumption of oil if everyone had one. It must take a full tank of gas just to cruise from one end of Manhattan to the other. Plus, it’s not exactly a streamlined design. You’re basically sitting on a big scrap metal heap. It would be less embarrassing to be caught driving your grandmother’s station wagon with brown side panels. Maybe if Chitty Chitty Bang Bang unveiled an environmentally friendly hybrid, I’d put it back in the running. But even then, Dick Van Dyke would have to stay far away. A trendier, hipper spokesperson would be needed to market it successfully. Like Taylor Swift or Robert Pattison. But as it is right now, Chitty-Bang has about as much sex appeal and practicality as a Segway.
    Chitty Chitty Bang Bang, no way. Which leaves me with:
    BIRD: And when I think about the quiet, graceful wild turkey family I once saw in my back yard; and when I think about pink flamingoes and blue heron and inexplicable ostriches; when I think about the brown sparrow who sat on my bird feeder this morning and kept me company while I ate my shredded wheat; I have to say…why did I even wonder what was the best flying machine?
    The sparrow looked at me as if to say, “Duh,” and flew away.

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  •  

    As an SF writer and reader I’m naturally well-disposed towards the idea of alien craft. I’d like to think that some UFO stories may have a basis in fact, though I’m very sceptical: most of them, I’m sure, are either hoaxes or genuine mistakes. For those which aren’t, there’s another explanation which is just as thought-provoking: that some UFO sightings are actually sightings of advanced prototypes of human origin.

    The test flights of the B-2 Stealth bomber prototype were probably the cause of a flurry of sightings in the 1980s of a huge black boomerang-shaped UFO.  People sighting it described its shape accurately but said it was much larger and faster than the real thing. Was that just natural adrenalin-fuelled exaggeration, or is there a bigger, faster B-2? Either way, people designed and built it, which is almost as interesting as aliens – and much more interesting than weather balloons or lenticular clouds.

    There’s another plane which, like the B-2, looks like no other flying machine: the SR-71 Blackbird. It can fly at speeds and heights which make it practically a spaceship, and yet it’s now an old design – over fifty years old. It still looks as far in advance of current planes as it originally looked in the early 1960s, and yet it was retired because there’s something which outperforms it. Its replacement, codenamed Aurora, is in turn the subject of many rumours and UFO sightings. It’s very difficult to imagine what something designed and built fifty years after the Blackbird – which itself looked fifty years ahead of its time -  can do, but it must be quite diverting.

    And I haven’t yet mentioned any really modern planes, or drones. That, especially the growth of drones, leads somewhere else entirely.

    The Air Show at Biggin Hill in Kent is one of the world’s biggest. I live nearby and I go most years. I remember a few years ago seeing the Eurofighter prototype (now in service as the Typhoon) demonstrating its computer-controlled (fly-by-wire) abilities. At times it was almost flying sideways, and changing direction almost at right-angles. America has several advanced planes of at least equal capability. I thought, then, that this must be the last generation of manned high-performance planes, because no humans (and probably only a few aliens) could survive the G-forces generated by their performance.

    Which is where drones will come in. Without a resident human,  they don’t have to be as big and their speed and manoeuvring capabilities can be even more extreme. It makes perfect sense, too, to avoid risking an expensively-trained pilot in actual combat when he or she can pilot it remotely.

    I wrote “he or she” because I tried to avoid the male pronoun; and drones, among all the other less savoury things they do, might help gender equality. It used to be said that women are less likely to pilot the highest-performing aircraft for the same reason that they’re less likely to be Formula 1 drivers – not because their abilities are any less but because they’re less physically resistant to G-forces. I’m merely reporting the view, not endorsing it (so please don’t shoot the messenger) but whether it was ever true or not, it will be irrelevant with the advent of more remotely-piloted drones.

    But it doesn’t end there.

    In the National Maritime Museum at Greenwich on the Thames (also not far from where I live) there’s a robot device with impressive-looking grapples and lasers and pincers and other attachments which is used for underwater repairs to oil-rigs. On the face of it, nothing unusual: the obvious kind of vehicle for remotely-controlled operation. Except that it isn’t remotely-controlled any more. It’s completely autonomous and self-directing. It’s been programmed with all the accumulated experience of years of remotely-controlled repair operations, and now it knows what to look for and what to do when it finds it, and is left to itself. An ideal employee, unsalaried and untiring and uncomplaining, provided it doesn’t read I, Robot and start getting antsy.

    The next generation of drones (in fact, some prototypes already flying) will have a similar but vastly more advanced self-programming and self-directing capacity. They’ll go out and decide themselves how to conduct offensive missions. Skynet has almost arrived.

    The old SF “sense of wonder” often expressed itself in phrases like “the future is already here.” But the future isn’t only what is being developed, but how fast it’s developing: exponentially. Not only is the future here, it’s come and gone. The future’s future is here now.

    From all of the above, you’ll have gathered that I’m far more interested in military aviation than civil aviation. Not that I’m particularly warlike, but the designs of military planes are quite beautiful and ingenious if you forget what they’re there to do. Military aircraft designs are by definition cutting-edge.

    And civil aircraft designs are boring. They have to be, because they carry civilians. The designs have to be conventional and tried and tested. Everything is too litigious and risk-averse for the sudden advent of cutting-edge designs in civil aviation. But it’s a shame that cutting-edge designs aren’t at least being tested now, because they could produce some social and environmental gains. Blended-wing designs (rather than the current cigar-case-with-wings-attached shape) would provide vastly improved interior space and lift, so the same number of passengers could be moved by fewer planes using less fuel. Short/vertical takeoff and landing would dispense with runways almost entirely, so airports would no longer have to be huge neighbourhood-eating monsters. (Of course, modern high-speed trains could do the same, but that’s fortunately outside the scope of this already overlong post.)

    I was going to go on (and on, and on) from here to talk about spaceships and military hardware in SF, but I want to leave a space at the end to talk about a favourite old plane of mine, so I’ll skip over this section very briefly. I haven’t mentioned my novel FAITH since my first “Introductions” post on January 3, when it was published. There are a lot of spaceships in FAITH, two in particular which are the main opponents in the confrontation which takes up most of the book. I wanted them to have abilities as advanced (and strange) as the book’s far-future setting allowed. There were plenty of spectacular sources of inspiration -Iain M Banks, Star Wars, Star Trek, Alien. And Douglas Adams, whose Vogon spaceship hung in the air in exactly the way a brick didn’t. But they all had a huge scale to them. I wanted the Charles Manson and its opponent, Faith, to be on a more imaginable scale, even if they did unimaginable things.

    So, this last bit is pure self-indulgence, because I want to mention my favourite plane, and what made it extraordinary. It’s a plane from World War Two, the De Havilland Mosquito. Its design was as advanced, as far ahead of anything else, in 1940 as the Blackbird was in 1960 or the Aurora is now. Why it was so advanced is that it was made out of plywood.

    At least, the airframe was made out of plywood rather than metal. But not ordinary plywood. The Mosquito’s particular plywood was laminated to give enormous strength and rigidity and lightness. (Plywood, Jim, but not as we know it.) The Mosquito was a medium-sized plane, with two Spitfire engines but weighing less than two Spitfires, so that for years it was officially the world’s fastest plane even though it was originally designed as a bomber rather than a fighter. In fact, it became one of the first multi-role combat planes. Britain built over seven thousand of them, and there were fighter and reconnaisance and ground-attack variations. Because most of it was wood and not metal, it helped the war effort. And, most divertingly, if a Mosquito came back with a damaged wing or tailplane, the Royal Air Force could get a local carpenter or cabinet-maker or coffin-maker to build a new bit and glue it back on. A wonderful plane, and also a beautiful and very ingenious one.

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  • When Daedalus fashioned wings for himself and his son Icarus, he knew the danger. He warned his son to fly neither too high nor too low. Too high, and one is too near to the gods; too low, and one is pulled down by earthly needs and desires.  Icarus of course flew too close to the sun, melting the wax that held his feathers together, and he drowned in the sea.

    Daedalus gave his warning, but we human beings have never heeded it. The ages are filled with inventors who attached wings and leaped from tall buildings, usually breaking bones, until at last they turned to gliding. Gliding was the key to achieving the impossible: with lift, we can now fly halfway across the world in less than a day. Next we discovered rocket power and flew to the moon. Not shabby, but also not enough. We don’t want to depend on a metal tube or a capsule. As fantasy readers we want to feel the air brush against our skin, the clouds dampening our cheeks.

    Let us not forget why Daedalus fashioned those wings: he could not leave Crete by either land or sea. In all human ways he was trapped. He needed wings – he needed to pass between the immortal and the mortal realms, between sun and earth. Too high, and the wax would melt; too low, and the feathers would become weighted with water. A fine balance, and his son could not maintain it. (more…)

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