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Posts in the "Introductions" Category

  • When my fourth grade teacher asked the class to write a little essay about what we wanted to be when we grew up, I included the three professions that seemed most likely: stuntman, jewel thief, and author. I haven’t completely given up on the first two—there’s still time!—but I’m finally on the cusp of realizing the third.

    My name is Jeff Salyards, and my debut novel, Scourge of the Betrayer, is being published May 1 by Night Shade Books. Scourge is a hard-boiled fantasy in the tradition of Glen Cook, David Gemmell, and Joe Abercrombie—tough, sometimes harsh (OK, there’s a lot of harsh), and full of rough and tumble characters who can turn your stomach or win your heart. Though, admittedly, only a few are especially good at the heart-winning business.  (more…)

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  • Carol Wolf and Tay

    About ten years ago I moved up to a ranch in the foothills of the California Sierra Nevadas, about six miles off the paved road. One adjustment that happened, since we could no longer hop on our bikes and ride to the local pho house, as we did in San Jose, or drive a mile to have our choice of Indian food, or Japanese or Mexican, like we did in Los Angeles, is that we learned to make soup. Soup, because you can generally make it from whatever’s in the larder, without having to drive up over the pass to the store. Soup, because it lasts for several days. And every day, it gets better.

    I’m Carol Wolf. Summoning, my first published novel, is about a girl who is one of the wolf kind, who can change form at will. I’ve been asked half a dozen times this month where the novel came from, and I keep think about making soup. Because it’s not made of one thing, of course, but of many things, all cooked up together.

    Here’s one. For many years now I’ve been hanging out with a guy who, having been raised in the Southwest, has talked to Coyote. It may have been conversational self-defense that got me thinking about shape changers, especially ones for whom shape changing is not a disease, but part of their essential make-up. So, that became the basis of my soup. Wolf girl runs away from an impossible home situation, hides out in Los Angeles. (more…)

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  • Bradley P. Beaulieu

    Hi all. My name is Bradley P. Beaulieu (Brad), and I was one of the charter members of the Night Bazaar before it was subsumed by Night Shade Books. I’m terribly pleased to have been asked back to chat more with all of you, in part because of what being invited back means.

    And what does it mean? Well, I’m glad you asked. It means that I have a book coming out with Night Shade. Again. My debut novel, The Winds of Khalakovo, came out last April, and its sequel, The Straits of Galahesh, came out… When was it again?

    Oh, yeah. Yesterday!

    I thought, to re-introduce myself, I’d share a bit about how and why I got into writing fantasy, and who some of my influences were. I’ve been reading fantasy practically since I learned how to read. I came across The Hobbit in third grade—I even remember the friend that turned me onto it: Jim Vogt, my best friend at the time—and I’ve never looked back. It was a wondrous experience, walking through Middle Earth with Bilbo and Gandalf and the dwarves. I sometimes wonder what it would have been like had I found another seminal work in a different genre. Would I now be a mystery writer had I read Sherlock Holmes or Sexton Blake when I was young? Would I write spy thrillers if I had somehow stumbled across James Bond? I like to think the answer is no. Fantasy feels like a part of me at this point, so strong was my reaction to The Hobbit and, later, The Lord of the Rings and The Silmarillion. I can’t imagine a world that feels more internally consistent, more whole, than those volumes.

    And I think this is what eventually drove me to be a writer. As I matured I started to read other things, things like Piers Anthony’s Split Infinity Series, Stephen R. Donaldson’s The Chronicles of Thomas Covenant, Terry Brooks’ Shannara Series, Thieves’ World from Lynn Abbey, and Michael Moorcock’s Elric of Melniboné. While I enjoyed these and many other books to varying degrees, none of them quite had that sense of history, of scope, that Tolkien had created in his stories. So as I started to dabble in writing in college, while I didn’t realize this consciously at the time, I was trying to recreate that sense of wonder that I’d found while traveling toward the Lonely Mountain to steal into the lair of Smaug. (more…)

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  •  

    What better way to start an introductory post than a quote from James Bond?  That it’s said in Sean Connery’s accent is a bonus, a bonus that offsets the fact that it comes from one of the, ah, lesser Bond films (Diamonds Are Forever).  I’m hyperbolizing, of course–blogging isn’t really Hell (at least, not yet–talk to me under a tighter deadline).  In fact, since I get to offer my opinions on things, it may be closer to Heaven for me…and the rest of you, too.  We may disagree from time to time, but we’ll laugh, we’ll cry, these blogs will become a part of us.  Really.  It’s gonna be a fun ride. 

    Trust me.

    My name is Thomas Morrissey, and I’m one of the new authors at Night Shade Books.  My first novel, FAUSTUS RESURRECTUS, is being published today, Tuesday, April 3.  It’s a Supernatural Noir Thriller, a terrific read with elements of thriller, horror, mystery and romance, and is the first of a series featuring Donovan Graham, occult scholar (MA in Philosophical Hermeneutics–the study of interpretation and the search for truth), bartender (in midtown Manhattan), biker (motorcycle, not Schwinn) and (occasional) stoner.  Kind of an eclectic mix, but hey–write what you know.

    So who am I?  

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  • I’m E J (Emma) Swift, author of OSIRIS, which is released June this year. It’s lovely to be here at the Bazaar! I’m particularly enamoured of the Bazaar theme. It’s the sort of thing you might stumble upon unexpectedly, not quite knowing what you might find, and that kind of encapsulates how I feel about the creative process of writing OSIRIS.

    It’s introductions week, so in the traditions of such things, a bit of background about me and how I got here: I’m an English writer, nowadays living in South London with two cats and a long-suffering housemate. My day job involves communications-type-things for performing arts training, and although the pointe shoes have long since been relegated to the back of the wardrobe, I’ve become obsessed with aerial circus skills. (That’s definitely a future novel. And yep, I have a lot of love for Angela Carter’s NIGHTS AT THE CIRCUS.) As I’m sure is the case with many writers, my road to publication is littered with discarded novels, but at the end of last year I had my first sale, a story called THE COMPLEX, in UK magazine Interzone. And that was awesome. A week later I found out that Night Shade were interested in OSIRIS. And that was beyond awesome.

    Finding out that you’re going to be a professional writer is, whilst being the culmination of a lifetime of dreams, in equal measure terrifying. It’s no longer possible to simply fling the book out into the ether and hope for the best; the Internet is waiting, and it’s full of tigers. My immediate worry was: I don’t know enough. I don’t know enough and I haven’t read enough, or not the right things. But you can never read enough. The only way I’ve found to deal with that worry so far is by a) making decisions and b) trying to turn it into an opportunity. There are books and writers waiting to be discovered, recommendations to be made. That’s something to be excited about.

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  • A writer comes to many realizations. Sometimes it’s about how best to schedule writing time, or how to be true to characters, or pacing, or all those other tools we all need but which are often boring to sit down and master. Hopefully, though, not all of a writer’s realizations are

    Paul Tobin

    about his or her writing. There’s a chomping lot of LIFE that needs to go into a novel, and that life needs to be raw. It has to be real. A writer needs to give a novel some teeth… because a good novel is a mirror that bites back.

    My novel, PREPARE TO DIE, was written in a mad haze of realization. I was gleefully slamming words down onto the page, letting them sort themselves out, because as any writer knows… the words are often smarter than we are. Characters and events, once given the nudge, will take matters into their own hands. I can’t guess the number of times I’ve been working on a project and I’ve referred to my outline and was well on the way to implementing the next piece of the organized skeleton when a character all but looked up from the page and said, “Sorry, Paul. There’s no way in hell I would do that. Either think of something else or, even better, hand me the keys. You’ve given me life, and I can handle this.” So, while Character A was once going to date character B, and Character Z was going to die, suddenly Character A and Character Z are stripping each other naked, and Character B has far too strong a will to die.

    But then, in this new alignment, everything suddenly makes sense. Before, it was a trudging trek, and now it’s an adventure. It’s a story.

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  • ENORMITY is a bit of a trick title, because the word doesn’t just refer to scale; it also has a negative connotation, which in this case refers to the evil we all do without even meaning to: the enormity of our collective guilt.  As a little kid growing up in LA, I was a huge fan of Japanese monster movies, and I remember doing a creative writing assignment in the form of a newspaper interview with Godzilla, who turned out to be not so much an evil monster as a misunderstood victim of circumstance, and who felt terrible because he couldn’t avoid stepping on people.
    Having caught the writing bug early, I soon began interviewing actual people for actual newspapers.  One of these was Mickey Spillane, whose advice for aspiring authors was curt and to the point:  “Don’t!”
    Tragically, I didn’t listen to his advice, and struggled for years to sell my deeply sincere attempts at novels, screenplays, short stories, and children’s books.  But it wasn’t until after 9/11, when my country blundered around breaking things like a big dumb dinosaur, that I was hit by this thunderbolt:
    Why not write a novel based on my old Godzilla idea, only change Godzilla into an unfortunate shmuck who gets turned into a giant?  And not just any ordinary giant, but the biggest giant ever!  Thus, ENORMITY was born.
    With ENORMITY I was aiming for the misanthropic hilarity of Jonathan Swift or Kurt Vonnegut:  If ordinary human beings have a destructive effect on the planet and each other, just imagine how much worse it would be if one of us was suddenly the size of a mountain!
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  • Hello. How are you? (And now you know the extent of my fluency in Irish.) stina leichtI’m Stina Leicht, and I wrote Of Blood and Honey and the soon to be released sequel And Blue Skies from Pain. Both novels are set in 1970s Northern Ireland, during the thirty year war known as The Troubles. As you can tell from my name, I’m not Irish nor am I American Irish. (By the way, my last name is pronounced “light” like the beer.) Also, I’ve a degree in Animation, not English. I fell in love with books when I was in the second grade, and I’ve carried a novel on my person ever since. Early on I was attracted to Science Fiction, Horror, Mystery, and Fantasy. The genres are filled to the brim with a sense of Other. This spoke to me because I was a tomboy as a child. Unlike most female bookish sorts, I have a thing for automobiles — specifically classic muscle cars and roadsters. I like movies, history, politics, music (rock, punk, world, and classical) and fencing too. I love art, and sometimes I paint. I wish I were better at chess and were more graceful and self-possessed. (I blame my childhood heros Emma Peel and Katharine Hepburn.) Unfortunately — or fortunately, depending upon your point of view — I’m a total goof. The fun part is, as a writer, I can be all these things and more.

    I’m a huge fan of Sci-Fi and Fantasy that makes me think. It’s one of my favorite things about our genre. I also believe that good writing should emotionally effect the reader. If a novel or a film makes me laugh and cry, I feel I’ve gotten my money’s worth. If it makes me think too? Well, that’s everything.

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  • There’s a lot of books about Alexander the Great out there.

    But mine will be the first in which he has steam engines.

    Though it’s not as far-fetched as you might think. The steam engine was actually invented in the first century AD by Heron of Alexandria, but it was never more than a curiosity. But the way I see it, steampunk is way too cool to be left to those stodgy old Victorians. So in my THE PILLARS OF HERCULES, Alexander completes his conquest of Persia and then leads his armies westward against an Athenian Empire that spans the Mediterranean, setting off an epic clash involving mechanical golems, siege-leviathans, iron warships, and machines that concentrate the sun’s rays to burn targets at long range. Along the way, we’ve got a Gaulish mercenary, a Greek archer, a Persian princess and of course the legendary scientist-mage known as Aristotle.  You can see the map of my alternative ancient world at www.thepillarsofhercules.com, which is all you’ll get right now, because the book ain’t out for another two months!

    As to what is already out right now, my top two novels for 2011 were:

    –Stephen Erickson’s THE CRIPPLED GOD:  it’s almost unfashionable these days to actually complete a series, especially one that has ten books, but SE pulled it off with style and aplomb.  Well worth the wait.

    –Hannu Rajaniemi’s THE QUANTUM THIEF:  I stayed away from this one while I was finishing up PILLARS, as trying to read hard SF while writing swords-and-sorcery makes my brain go into fry mode. Though this book did that to me anyway. Apparently it sold on the strength of the first chapter alone, and I can see why.

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  • Happy New Year to everyone at Night Shade and Night Bazaar. Please forgive the title, but I wanted to get some attention. Also, it does have an element of truth.

    I haven’t worked in publishing or related fields, or written anything commercially, before now (my debut novel, FAITH, will be published today, January 3). Most of my career was in the music industry, as Managing Director of PPL, the world’s largest record industry copyright organisation. In 1988 I was sitting in the Public Gallery of the House of Lords in London late one night, waiting for the start of a debate on the Copyright, Designs and Patents Bill. At the time another piece of legislation, involving lesbian rights, was being debated. A group of lesbian activists sitting nearby produced some ropes and climbing equipment and rappelled (in Britain, we’d say abseiled) down onto the floor of the Chamber. It was wonderful. It had the same emetic effect on an ossified, unelected British political institution that punk rock had on music a decade earlier; and it produced the newspaper headline I’ve quoted above.

    As you’ll have gathered, I’m British. I live just outside London with my wife and cats (currently two, but there have been as many as six). We have two grown-up children. Apart from my family, London and cats, my favourite things include books and book collecting, cars and driving, football and Tottenham Hotspur, old movies and music. Science fiction books were among the first I can remember reading, and I think they’ll probably be among the last.

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